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Wednesday, October 22, 2014

Creativ Festival 2014 - Day 1 - it's a wrap!

I'm warning you - there are a tonne of pictures!  But I got home not long ago from the first workshop of this year's Fall Creativ Festival and I was thrilled.  It was scheduled to be a 6 hour workshop with Maggie Vanderveit on Wrap and Rust dyeing.  I first thought it was going to be on how to dye with natural materials - as in making a dye from natural materials - but it was SO MUCH COOLER THAN THAT!!!!!!

I would have known that if I actually looked through her website - check it out here...

She spoke to us and showed us many, many examples of transfering images and colour from natural plant materials, and rust onto cellulose (linen, rayon, cotton )or protein fibers (wool, silk), and the work she has done with it.  She provided us with some written information, and answered many questions, and unveiled some pieces she just started just days prior to the workshop.  Then we spent several hours doing it hands on.

Here are some of the fabric samples she provided, including some of her finished pieces.

This was a prize winning wall quilt she made - she backed it and free motion machine quilted, following the lines of the pattern that came through with the dyeing.  Gorgeous.

I was wowed by the clarity of the leaf imprints that came through.

There is beautiful tones and variation in patterns as well.

This bottom one is strawberry leaves of all things!

I learned that protein helps to grab colour, so for cellulose based fibers, you need a protein mordant, and one easy way is to dip the fabric in milk (skim milk powder in water in our case) and wring it out.  It can be dyed wet or dried.

Our massive vat of milk solution - far more than we needed.
Secondly, results will vary depending on the materials you use, when they are collected, where they are collected - far too many variables to count - so don't depend on consistent results.  On saying that, there are so many materials that can be used!  Wild grape, Queen's Anne Lace, oak, maple, birch, sumac, onion skins, cabbage leaves, beets, roses, raspberries, ferns, sage....  my mind is whirling! Just make sure to use a dye ready fabric, or one washed to remove sizing, and that it is natural material - synthetics won't work.

We worked with cottons, wools, and various silks - I made at least 8-10 different wraps - cotton, wool crepe, silk chiffon, and raw silk, and rug hooking wool, with found Fall leaves from the ground, with fresh sage, with sumac leaves and flower heads, with dried ferns and goldenrod, with onion skins, beets, and with rusty nails.  The only thing I have to do is make sure the plant materials stay wet for awhile and sit for a few days for the colour to take, and to make sure the metal bits have some time to oxidize.  I may still need to boil the ones with the nails, since they have some plant material in them, in a solution of alum and water for a couple of hours, to get the plant material to release the colour.

I hope it works - one has to lay the plants/rust on the material, and make sure to wrap tightly and secure with twine, thread, or elastics.

Here are our various bundles in a bin with 1:1 vinegar and water - these bundles have rusty bits in them, and some with plant materials.  This is a cold solution and the bundles need to soak for 20-30 minutes, then allowed to oxidize.  This can be done outside, as heat and air will help the rust to set - and the rust can be reused.  If using plant material, apparently you can then boil it in a vat with alum and water to set the plant material colours, if you don't see enough colour to your liking - don't unwrap though until you think enough colour is showing through!

This is a vat of bundles of plants only, no iron - which could darken and discolour the materials - some of the boiled bits with iron turn out quite BLACK - which I will show later.

This vat is plant materials and can be mixed with iron.

The above is with walnut paste/solution - aged, old, rotting walnut leaves and nuts - it stinks like fresh manure, but gives very effective colour - below is her containers of the walnut goo.  Trust me, what my dogs pooped out this morning smelled better than this stuff!

Right now, my boiled bundles are still wrapped and soaking in a bit of the moisture from the tubs, in zip bags, in a basin in my bathroom - I will let them soak for awhile, before taking them out and then letting them stay wrapped for awhile before seeing how they imprint - patience is apparently the key. My rust bundles are sitting in a basin, open to air to allow them to oxidize.

Maggie apparently started several bundles about 3 days prior to the workshop, and she brought the bundles with her, to open and show us how they turned out - she had no idea how they would look, and sometimes the colouring doesn't take - but every single one she showed us was a wonder and just built our excitement.

These are frankly stunning - it looks like the leaf is right on the fabric - but that is the dyed impression!  The black bar is a rusty bar - and it transfers some of the darkness to the edge of the maple leaf.

If you look closely - you can see the veining of the leaf too, and the stem impresses as well - so beautiful - and so much of what I love - I love Fall leaves.  I saw so many walking the dogs these past few weeks, but I thought that I would need fresh leaves - NO - use fallen leaves, and they don't have to be flat, but obviously that gives a clear impression - and wet is fine, they are going in a hot alum bath anyways!

Here are her freshly unbundled pieces drying on a rack - look at those colours - and the rust!

Some more of the leaves.  She showed how she cuts some of them and staples them onto canvas.  I would love to do that, if mine turn out (or make more in the future) as the art by the bed upstairs.  I was talking with another attendee about using rust powder mixed with water or gel to make a paint to paint onto the fabric too, or after dyeing, picking out details with paint sticks or other drawing materials like paintsticks, or water colour pencils.  I was also wondering about using a spray art fixative to set the colours too, in case fading may be an issue in the future, especially in sun.  Or the 1:1 fabric medium/water spray, and ironing?

I am stunned by the colours - I really hope mine turn out similar to this!  I would love to do this for a Hoop/embroidery project too - or scarves/bags for presents.  For the wool - maybe even a felted folio or journal - or materials for art/mixed media pieces!

I am just stunned by how clear the leaves are imprinted!

The detail is incredible - this is a lock plate that was rusted and dyed - so clear you can see the bolt holes and the keyhole!

I may be a convert!  Keeping fingers crossed that I get something somewhat like this when I am brave enough to unwrap my bundles!

Oh yes - I learned something else exciting too - apparently this can be done with paper too to dye good quality art paper - 120-140 lb water colour or other high quality paper, but instead of immersing and boiling, it would need to be held flat in layers and set up above a pan of water and steamed to release the colours.  I can't wait to explore that a bit further!

Creativ Festival - the workshops start today...

... and I am so excited and such a nerd about it that I ended up making up a little mini journal specifically for it.  I had picked up a couple of little note card sets that were on ring clamps - the problem was the covers were glitter and I thought they were pads of glittered paper and I was going to make stars from them.  I was sadly disappointed...

Anyways, I found them this morning and looking at them, I had the bright idea of removing the covers and making new ones for them.

oh dear - the gel medium is still a bit wet - hence the white hazing!
Every year I have taken the workshops, I have ended up taking little notes of tips, ideas, resources, etc, in just about every one I took.  The journal I had used is almost full, so I thought this would be perfect going forward - a little journal for each year.  That way, I can come home, highlight my notes, and add little tabs to look things up for future projects.

Anyways, the covers were made using a piece of reused packaging - I had bought something recently that had a piece of fabric covered board that backed it that looked really cool and vintage - it is that deep green at the top edge.  It had a nice, fine woven texture to it.  I trimmed it down so it was a bit larger than the lined papers.  I used one of the Frameworks dies and die cut the black frame from textured card stock, and also die cut a piece of scroll patterned scrap book paper, and vintage sheet and dictionary paper.  I inked the inside pieces of the latter three and set them aside.  I took the inside pieces of black card stock and stamped them with a pattern randomly, using copper ink.

I added a piece of the patterned paper across the front, and put the frame across the left edge, adding randomly the various indie pieces, and gluing it all with gel medium.  This was actually going to be the back page, but I liked the composition of this more than my original front.  I glued some strips of music paper across the middle of the back cover, and the frame of the scroll paper on an angle.  After inking the edges of the inside pieces, I next placed the frame and various insides along the bottom, using gel medium.

I inked the edges of the entire cover with Pumice Stone and the copper ink.  I used a scrap piece of inked blue paper, and stamped it with my name, using the Alpha numeric dies, and then coloured the inside with a gold pen, before gluing that across the back of the back page.

For the front, I die cut out the name of the festival from more of the blue inked paper and glued that across the top of the cover, after darkening the edges with Pumice Stone.  For the year, I had a small amount of red inked music paper on card stock - enough to die cut the 1, but found another scrap of red inked card stock - I stamped the music note pattern on it, and die cut the rest of the numbers for the year.

I inked the edges of all the pieces and glued them across the face with gel medium.  I used my cropadile to cut the holes and add the eyelets through the piece.  I had the Embrace Imperfection tag, and added a bit of copper paint to highlight the letters.  I tied copper ribbon to attach it through the eyelets I had added to the right side of the cover.

All the gel medium is dry now - see how clear it is finally?
Finally, I was not happy with the pages inside, and since I was taking 11 workshops, I took a kraft folder or two and using a folder tab die, die cut some tabbed dividers for the pages, and used some coloured index cards for the pages instead.  The tabs are in three different positions - top, middle, bottom, and are ready for me to add the workshop names.

I rounded the corners, and punched holes so they would all line up, and inked the edges of the tabs to fit the cover aesthetic.

I am happy how it turned out!  I can't wait to fill it up!

More tonight hopefully - Rust and Wrap Dyeing is today!

Tuesday, October 21, 2014

So excited - one more sleep...

Tomorrow I will be starting this Fall's series of workshops at the Creativ Festival... so excited!!!  I know I will be exhausted, and it will be a flurry of activity, but this is part of the reason I love the Fall and take vacation just so I can do this.  I can't wait!

So tomorrow, Wednesday, I will start it off with a 6 hour workshop on fabric dyeing with natural materials and rust dying with Maggie Vanderweit.  It is the Wrap and Rust Dyeing workshop.  I am excited to try the rust dyeing, and learning how to use natural materials to add colour to fabric - perhaps a new way to use colour and fabrics in mixed media or something.

Thursday is a full day affair.  It will start at 9 am with a 3 hour workshop with  Cecelia Ho, called 3D Wool Keepsake Cake.  I thought this could be cute as an ornament, little gift box, or a pin cushion, and maybe learn something to improve sculpting and felting skills.

In the afternoon, there is a 3 hour jewelry workshop sponsored by Swarovski, with one of their Canadian ambassadors, Jamie North, called Swarovski Wrap-ture.  She was a great, energetic instructor last year and they are very generous sponsors.  It looks like a lovely bracelet and also I always feel my wire wraps are never good enough, so practice is always good.  Hopefully this time, I will also be able to get a couple of her kits to make presents for my nieces.

I have a third workshop on that day, in the evening from 5-8 pm called Fabulous Flowers, with Joni Newman, which will be a quilting class - one thing I had always wanted to do is more sewing/quilting to make fabric art - I am hoping that I can keep up, because I know there often are very talented quilters who take these classes and I very much consider myself more a novice and general art crafter rather than sewist if you know what I mean!  But if I could make a poppy art quilt like that, or even close to that, I would love to give that to my friend Reet.

The next day, Friday, is also full.  It is also the first day of the trade show, so any breaks I get between workshops will involve me popping in and out of the show floor trying to find goodies, like stencils, dies, and inks I am having trouble finding, cool materials from Lens Mills (I want to make more of those topped hand towels for myself),  Pretty stamps - and any deals or whatnot I can find!

Regardless, on the plate for Friday...  First is Silk Ribbon Sampler, with Erla Wilson.  I love the romantic look of silk ribbon embroidery and would love to try my hand at it - which is why I chose this workshop!  This is also a 3 hour workshop.

In the early afternoon, after a frantic runaround on the show floor, I will spend 3 hours with Kathryn Drummond in Cupcake Delight.   It is a gorgeous little embroidered cupcake ornament - so cute! Again, I thought it would be adorable as an ornament.

In the evening, Sharon Trent is having a 3 hour workshop on wet and dry felting 3D flowers.    Again, maybe I can pick up some new skills with fiber crafts.

Saturday, the floor show will be super busy and in full tilt, but it will close early.  I have a couple of workshops that day - first is Medieval Page Illumination with the SCA - we did illuminate pages as an art project in high school and I really enjoyed myself.  I also wanted to take the calligraphy class to practice lettering techniques - but I thought this could be helpful with art journaling or mixed media art pieces in the future.

Again, I will grab something to eat before going to a workshop called Sassy Golden Clutch with Fernando DaSilva, sponsored by Metal Complex - I took this with the hopes to improve some metal working skills like riveting, and leather working skills too.

Then maybe I will get a couple of hours to wander around the floor to shop... wooohooo - shop!!!

Sunday, always makes me sad - it is the last day...  I took a short workshop in the morning, called Woodblock Printing with Tiffany Folmeg - I have really enjoyed making my own stamps and wanted to see what else I could do to improve or add to this skill.

My last workshop of the festival is in the afternoon, which allows me a couple of more hours to shop after the morning session.  This is a jewelry workshop that is Silversmithing, with Angela Marzinotto and Nick Regine.  I have been wanting to learn some more metal working skills, specifically cutting and filing out shapes from metal and this seems like a perfect way to try it.

Then I will go one more time to the floor - to see if I can win any of the door prizes - one can hope! Then home, to collapse exhausted in my craft room, to organize my haul and what I learned!

I will try to take a bit of time each night to summarize my day for those who are interested.  I have been going for years and have met people who come from all over the world to participate in this festival - I sincerely hope it continues for years to come.  There is something so very invigorating and energizing about engaging in something creative, and learning, with people of like mind.

Follow along on the Creativ Festival Blog too, and their facebook for updates and pics during the course of the festival....

Also, don't forget there is a Spring show too, if you miss the Fall one!